EMPLOYED TO SERVE RELEASE NEW SINGLE “MARK OF THE GRAVE”

 NEW ALBUM CONQUERING OUT SEPTEMBER 17 VIA SPINEFARM
CONQUERING TRACK LISTING:
“Universal Chokehold”
“Exist”
“Twist The Blade”
“Sun Up To Sun Down”
“The Mistake”
“We Don’t Need You”
“Set In Stone”
“Mark Of The Grave”
“World Ender”
“Conquering”
“Stand Alone”
Employed To Serve have released “Mark of the Grave,” the second single from their forthcoming album Conquering. Listen here.
“This song is about people who’d rather put other people down, instead of getting on with their own lives,” says frontwoman Justine Jones. “When writing this song, we wanted to try our hand at writing a positive metal anthem for people to blast when they’re having a shitty day. Hope you all enjoy it as much as we had fun recording and writing it! Stay kind!”
Conquering releases on September 17 and is Employed To Serve’s second full-length album on Spinefarm.
Drawing influence from the music of their youth and a new perspective on how to nurture the positive aspects of humanity and individual growth, Conquering is a celebration and acknowledgement of triumph in the face of a world that can be relentlessly adversarial. The band began recording the album in the”“unforgiving winter” of 2020; produced and mixed by Lewis Johns at The Ranch, Southampton, mastered by Grant Berry at Fader Mastering, Employed To Serve took the time thrown at them by a world stopped still to write their most visceral material to date.
Pre-orders are live, with an instant download of singles, “Exist” and “Mark Of The Grave,” plus special bundle options including t-shirts, hoodies, shorts, pink socks, skateboards and limited colour variant vinyl. a
EMPLOYED TO SERVE ARE:
Justine Jones — Vocals
Sammy Urwin — Guitar + vocals
David  Porter — Guitar
Nathan Pryor — Bass
Casey McHale — Drums
Last Sunday, Employed to Serve appeared on the main stage of Download Festival/ The event marked a moment in history, seeing live music return as part of a government-backed Pilot scheme. The Guardian noted Employed to Serve as a festival highlight, commenting, “Employed to Serve exude venom” while Metal Hammer called their set “relentless” and “blistering.” Kerrang! were just as enthused, adding, “Sammy Urwin’s sledgehammer riffs awaken Download’s inner headbanger, while Justine Jones’ barbed screams urge those gathered to toss any notion of social distancing in the bin.”
Four albums in, and a steady stream of critical acclaim and awards in tow, Employed to Serve’s meteoric rise from genre hopefuls to becoming one of UK metal’s most consistently captivating bastions is indisputable.
ABOUT EMPLOYED TO SERVE:
Employe to Serve’s origins are essentially humble, with the core duo of Justine Jones (vocals) and Sammy Urwin (guitar/vocals) initially starting the band as a two-piece grindcore project backed by a drum machine. Early experiences on the UK festival scene expanded their horizons and perceptions of what weightier music could be. Seeing heavy-hitters such as Converge, Meshuggah, and Glassjaw alongside smaller but no less important acts like Rolo Tomassi, Veils, and The Chariot inspired the duo to develop their vision. 2014’s Change Nothing Regret Everything EP operated as a stepping stone into full band territory, before 2015’s critically acclaimed debut album, Greyer Than You Remember, became their calling card, followed up two years later by The Warmth of a Dying Sun, then their 2019 Spinefarm debut Eternal Forward Motion.
Employed to Serve have already proved themselves as a searingly intense and honest live experience, sharing bills with the cream of the crop of modern heavy music, including Code Orange, Bury Tomorrow, Stick To Your Guns, Loathe, Counterparts, and Underoath. They’ve also decimated stages at some of the UK and Europe’s leading music festivals, the likes of Download, Glastonbury, Graspop, and Hellfest. And the accolades are unstoppable; from their Kerrang! Album of the Year win back in 2017, achieving the assumed impossible with a KKKKKK (yes, that is 6 K’s!) live review, landing in Metal Hamme’’s reader and staff Top 10 Album polls, and a 2020 sold-out Underworld performance, to a plethora of cover features across Music Week, Metro Weekend, Upset, and Kerrang!, Employed to Serve are unflinching at the forefront of metal innovation.
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