Symphonic metal onslaught AD INFINITUM are no strangers to the scene. With their spellbinding debut album, Chapter I – Monarchy (2020), brought to life in the middle of a global pandemic, the foursome reached millions of plays on streaming platforms. With its very first single,
“Marching on Versailles”, riding high at more than 1.8M video views to date, the highly talented unit didn’t put the brakes on. Instead, they transformed pandemic fatigue into heavier soundscapes without sacrificing their signature aura. Furthermore, frontwoman Melissa Bonny is consistently drawn to exciting musical collaborations, as she recently unveiled the brand new band THE DARK SIDE OF THE MOON and their bittersweet reinterpretation of Florence & The Machine’s Game Of Thrones soundtrack song,
“Jenny Of Oldstones”. In addition, Bonny’s exciting feature with FEUERSCHWANZ on the song “Ding”(Seed-cover) has already gained over 2.6 million views on YouTube since its release. Now, she sets her focus back to her main musical force as AD INFINITUM – with Adrian Thessenvitz (guitars), Korbinian Benedict (bass) and Niklas Müller (drums) – unveils its new opus, Chapter II – Legacy.
Chapter II – Legacy surprises with a melting pot of different influences and a contrast between super heavy riffs, sometimes even djent/metalcore-like touches and catchy hook lines and melodies, giving the band’s sophomore album a modern and equally timeless touch. The lyrics have, just like on their debut album, been inspired by a historical figure: the paradoxical life and afterlife of Vlad The Impaler, also known as Dracula, inspired the themes and questions of this album.
AD INFINITUM add:
“Chapter II – Legacy holds a very special place in our heart. It represents months and months of hard work of four bandmates, for a result that we are proud to call “self-produced”. For this record, we decided to work without the influence of an external producer during the songwriting process and to team up with Elias Holmlid for the beautiful and epic orchestrations and of course with Jacob Hansen who recorded [vocals], mixed, mastered and participated to the post production. A younger and heavier sound that defines AD INFINITUM like never before.”
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