AIMEE MANN RETURNS WITH NEW ALBUM QUEENS OF THE SUMMER HOTEL NOVEMBER 5

WRITTEN FOR STAGE ADAPTATION OF SUSANNAH KAYSEN’S GIRL, INTERRUPTED

LEAD SINGLE “SUICIDE IS MURDER” DEBUTS TODAY WITH VIDEO

CONFIRMS SELECT TOUR DATES WITH RUFUS WAINWRIGHT

August 6, 2021—Queens of The Summer Hotel, the new album from Aimee Mann, is set for release on November 5 via her own SuperEgo Records. Mann started developing the new music in 2018 when she agreed to write songs for a stage adaptation of Girl, Interrupted, Susannah Kaysen’s memoir about her psychiatric hospitalization in the late 1960s. It was material that Mann understood well, having had her own struggles with mental illness. The resulting music comes together in Queens of The Summer Hotel.

The album consists of a song cycle constructed from music that Mann wrote for the show, sung by Mann and orchestrated with her longtime collaborator Paul Bryan, using strings and woodwinds in a nod to the project’s theatrical origins.

In celebration of the forthcoming record, Mann is debuting the lead single, “Suicide Is Murder,” today alongside an accompanying music video starring James Urbaniak, and directed and produced by Puloma Basu and Rob Hatch-Miller. Listen to/share the track HERE and watch/share the video HERE.

“I started to write this song because I’ve known people who committed suicide and friends who’ve had loved ones die from suicide,” Mann notes. “I think the phrase ‘suicide is murder’ took on a meaning for me as it’s the worst thing to have to deal with in the aftermath. It’s just terrible. Because every person who knows the person who committed suicide will blame themselves in some way for not noticing or stepping in or doing something. They’ll till the end of their days, say, ‘was there something I could have done?’”

In many ways, Queens of The Summer Hotel is the unintentional part two to Mann’s 2017’s Grammy-winning album Mental Illness—both exploring themes of self-harm, depression and suicide. However, Queens of The Summer Hotel was written more quickly than any of Mann’s previous records. The assignment to write songs for someone else’s project offered Mann a sense of liberation, freeing her to enter another person’s consciousness and story—and a brand-new set of musical structures—through the lens of Kaysen’s own alienation. Although several different characters narrate the songs, they’re not strictly tied to any narrative. But together, they form a portrait of one woman’s crisis of disassociation as seen through another woman’s eyes.

“I honestly felt almost possessed when I was writing this record as I’ve never written so fast and intensely,” recalls Mann. “I found the material very interesting and obviously really personal. I had specific ideas about what I thought the character’s backstory could be and incorporated a lot of shared experiences to flesh out specific characters discussed in the memoir.”

In addition, Mann has confirmed a run of select West Coast tour dates with Rufus Wainwright this fall. Kicking off on September 9, the shows include performances at Los Angeles’ Greek Theatre, San Diego’s Humphrey’s and Saratoga’s Mountain Winery. See below for complete tour details.

After several albums with ’Til Tuesday, Mann began her solo career in 1993 with the album Whatever and made a name for herself through her independent success and the founding of her record label, SuperEgo Records. Along the way, Mann forged a powerful new sound driven by her distinctive singing style—stripped-down, folky, acoustic but also forceful and cerebral, exploring psychological themes with dark wit and an eye for the world’s ugliest power plays.

In 2017, Mann released her acclaimed album Mental Illness, which won Best Folk Album at the 60th Annual Grammy Awards. The New York Times proclaimed, “Mental Illness wallows in its troubles, and it’s an exquisite wallow,” while The Los Angeles Times declared “Every doomed syllable is sacred and every tragic rhyme fits, as though each song were a puzzle to which only Mann knows the solution.”

In addition to her solo albums, she has appeared on many film soundtracks, most notably the score for Paul Thomas Anderson’s Magnolia, with “Save Me” landing her Academy Award and Golden Globe nominations for Best Original Song. Mann has also made numerous cameo appearances in films such as The Big Lebowski and TV shows like “Portlandia” and “The Assassination of Gianni Versace: American Crime Story,” in which she sang an indelible cover of The Cars’ song “Drive.” Other extracurricular activities include performing for President Obama and the First Lady at the White House and starting a Podcast with Ted Leo called “The Art of Process.”

September 9––San Diego, CA––Humphrey’s*
September 10––Los Angeles, CA–– The Greek Theatre*
September 11––Saratoga, CA––Mountain Winery*

*w/ Rufus Wainwright