RISING ARTIST FRANKLIN JONAS UNVEILS NEW SINGLE “HOBOKEN”

CONFIRMS DEBUT PERFORMANCE AT

STAGECOACH FESTIVAL THIS MONTH

“Hoboken,” the new song from rising artist Franklin Jonas is out now on Pizzaslime Records (via Mad Decent)—listen here. Franklin wrote and produced the track with Charlie Brand (Miniature Tigers, Weezer, Skizzy Mars) and Dave Weingarten.

“The original demo for ‘Hoboken’ started with a sample coupled with my normal barrage of torrented drum samples; OutKast/Nas kicks and snares and a whole lot of Earl Sweatshirt percussion,” says Franklin. “On the first day of production together, Charlie and I were listening to all of the demos, and we were sharing ideas. When it got to the bridge I said, ‘Here’s the children’s choir.’ He laughed thinking I was joking. I stayed true to the idea and eventually, it became clear that the famed Musyca Children’s Choir was willing and excited to be a part of ‘Hoboken.’”

Franklin will make his live debut at Stagecoach on April 28 on Nikki Lane’s Horseshoe Stage—alongside Lola Kirke, The Texas Gentlemen and more—where he will play both previously shared and unreleased tracks from a forthcoming new project.

“Hoboken” follows Franklin’s first-ever music release, his debut single, “Cocaine,” named “a dreamy, shoegaze-y tune with hints of doo-wop” by Rolling Stone, while Ones to Watch hailed the single as “a celebration of who he dances as today and a declaration of hope that he’ll meet more of himself tomorrow.”

“‘Hoboken’ is arguably the most vulnerable song I’ve ever made, peering into unconditional love,” says Franklin. “It was originally a gift for my girlfriend when we first started dating, meant to represent our finding each other through distance and the circumstances that we both had to overcome. While I went on an extended trip, traveling solo around Europe, we began a journey together through FaceTime that we would often joke would lead us to getting a place in Hoboken because it seemed like heaven to us.”

Franklin Jonas’ solo musical journey began when he started experimenting with beatmaking in college, crafting samples directly from vinyl and diving deep into the world of music production. After studying audio engineering under mixing mastermind John McBride—whose distinctive voice appears at the beginning of “Cocaine”—Jonas took a break from music, until inspiration struck during the first year of the COVID-19 pandemic. It was roommate and fellow musician Clint Michigan who encouraged him to pursue his creative streak; and it was a peer who, after hearing Jonas’ work-in-progress, connected him with the guys behind Pizzaslime Records. Jonas takes inspiration from a bevy of foundational influences—the cinematic boom-bap of legendary producer the Alchemist, the synth-y zest of Passion Pit, Allen Ginsberg’s classic work of poetry Howl, Bon Iver’s electro-acoustic experimentation—to craft his own sound. More music is imminent.

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